Chakravorty, an intellectual bilingual not just in Bengali and English, but also in high and popular culture, made profound connections in his readings of texts, tastes and technologies. He infected students and peers with incurable knowledgitis: the sheer joy of knowing. In a 2016 essay on his beloved Christopher Marlowe‘s c. 1592 English play, Doctor Faustus, and Bharata’s 2nd c BC-2nd c AD Sanskrit treatise on performing arts, Natyasastra, he wrote of ‘a moment of decision after a dispute in the mind’ – a process Renaissance rhetoricians called ‘addubitation’. In his celebration of knowledge, ‘Swapanda’ epitomised this ‘verbal chain that involves doubt, including self-doubt, and its resolution’. His passing leaves the world a bit less wise, and a lot less excited about pursuing wisdom with the thrill of a boy.